In which I read fiction

Let the Right One In: A Novel
John Ajvide Lindqvist

I came to read Let The Right One In
at the recommendation of a friend whose opinion I hold in high regard. 
I am going to admit right here that in high school the two of us read
vampire books.  Then we quit reading vampire books around the same
time for about the same reasons.  But that is perhaps another post. 

Let The Right One In is set in the Stockholm suburbs in 1981. I
kept thinking, "This seems anachronistic," and then immediately
thereafter thinking, "Oh, yeah.  It's 1981!"  Every time they talked
about the new Kiss album, or described the apartments.   I finally got
temporally oriented, but I never got a real sense of Sweden.  I'm
comparing this to the sense of Iceland that I got very strongly from
Last Rituals, which actually suffered from a flatter plot.  Maybe the point is that Sweden is does not leave an impression on you.  The characters, however, were more textural and detailed.

Anyway… it's the coming of age story of a likable-enough adolescent
boy-doofus complete with bullies and elaborate revenge fantasies. There
is a manhunt for a mysterious serial killer, a smattering of dead-end kids, and a
cadre of hapless neighborhood alcoholics.  It sounds like the feel good
hit of the season, doesn't it?  But for once the vampire
isn't some sensitive guy with dreamy eyes!  In all, John Ajvide Lindqvist
does a good job of maintaining my interest for the long haul and I was
rewarded with, if not a twist, then a flourish at the end.

So, it wasn't the greatest piece of literature in the world, but it was
meaty, creepy, supernatural mystery, and– best of all– it was
different.

So now let's all listen to Morrissey.

I’ve Changed My Plea To Guilty.

ZOMFG!!  Thomas Lennon and Robert Ben Garant (The
State and Reno 911!) are working on a musical based on the music of
Morrissey.
 Lennon describes "I've Changed My Plea To Guilty" as a Mamma-Mia-style musical.  "It's for a very diehard set of fans."

How soon IS now?

The New York Doll Post

Personality Crisis
New York Dolls

If this is the book then I never finished it, either.  It just didn't live up to my expectations– expectations set by other great books on the same period like "England's Dreaming," and "Please Kill Me."  But that's another conversation, for another Sunday afternoon.

Nor had I watched this documentary.  I assumed that it would be unbearably sad.  And while it was a
little painful it was so incredibly beautiful and– dare I say–
positive.  But I'll save that for my outro…

In case you are unfamiliar, Arthur "Killer" Kane
was one of the original New York Dolls.  Johnny Thunder's poison had
been heroin.  Arthur Kane's demon was alcohol.  By 1975 Thunders and
Jerry Nolan (the Dolls second drummer) had left to start the
Heartbreakers with
Richard Hell.  Thunders died by either overdose or foul play in 1991. 
Nolan died in 1992 of stroke. 

After the Dolls self-destructed in '75 David Johansen and Sylvain
Sylvain continued to kick around in bands performing some of the Dolls'
songs.  Kane spent several years working in bands that remained
marginal.  He and his wife took on film extra jobs to make ends meet. 
At the nadir of his despair Arthur allegedly saw David Johansen/Buster
Poindexter on television and lept out a third floor window.  To no
avail.  Doctors patched him up and he began a slow and painful
year-long recovery.  (Not mentioned in the film is an incident that may
be "urban legend:"  he was mugged and beaten, resulting in serious head
injuries.  Can anyone address the verity of this?)
 

Mr. Cool
Killer Kane Band

Arthur
found a new life as a single guy, living in an apartment in LA, working
in the genealogical library at the Temple of the Church of the
Latter-Day Saints.  As he sums up in the film, "Demoted from rock star
to schlep on a bus." 


"From driving around in limousines and playing in the Olympia Theater
and living some type of truly magnificent… um, the type of life that
most people don’t get to live on this earth, to having that and then
loosing that—loosing that because of our bad behaviour and out use of
drugs and all of that stuff.  We lost the NY Dolls just a few years
into the Doll whole thing."

In
2004, after years out of the spotlight, Arthur gets a call from
Morrissey.  He wants the three surviving Dolls to reunite for the
Meltdown Festival in London.  It's a little ironic considering that the
Doll's first visit to London was the beginning of the end for them;
Billy Murcia, the original drummer, died in his hotel room bathtub
before they could open a show for Rod Stewart.

The film "New
York Doll" is the work of Greg Whiteley who was crafting a documentary
about Arthur Kane from the point of view of his life in the LDS.  When Morrissey provided the opportunity for the Dolls to
reunite, Arthur's friends within the church raised the money for him to
get his bass out of hock.  He reconnects with David and Syl, travels to
London, and mounts the stage to pound out the bass lines in a
celebrated performance.  Soon after he revisited his dream Arthur Kane
suddenly died of leukemia.

N.Y. Doll
Robyn Hitchcock & The Venus 3

"N.Y.
Doll" is lovely posthumous salute to Arthur Kane from Robyn Hitchcock
and the Venus 3 inspired by this film, which debuted at Sundance in
2005.   According to Mr. Hitchcock Arthur's story is an "example of how precious
a life becomes when it's over."

Or, as Johnny puts is here:  You can't put your arms around a memory.   Don't try.

Johnny Thunders "You Can't Put Your Arms around a memory"

I
promised that I'd come back to the positive effect New York Doll had on
me, and I shall.  Throughout the film, I was holding a big ol' lump in
my throat.  There were times when I was really angry– with Johansen,
with Morrissey's whiney ass, with Syl for wearing that damn hat.  But
when it was over, I felt like a huge weight had been lifted from me. 
It was like an after school-special for dissolute middle-aged people. 
Small triumphs can redeem and heal a lot of shit.  Sometimes
perseverance really does pay off.  There were also some moments that
were just plain fun: a balding and bucktoothed Mick Taylor remembering
trying to grow his hair like Johnny Thunders; Don Letts' discourse on
Crusty McFuckrick (not his real name) of the Old Grey Whistle Test;
sweet little-old-ladies in the LDS library giggling about being
"groupies."

Don't forget that you indeed cannot put your arms
around a memory, so put your arms around the ones you love now.  I
said, "NOW!"