Patti Smith Land 250 (with Donkey Wednesday goodness)

Patti Smith, Land 250
Patti Smith

Land 250 is published by the Fondation Cartier Pour L'Art Contemporain
in Paris to accompany a big exhibit earlier this year.  It's a nice
hefty volume with a sturdy, grippy cover and medium weight paper.  So,
yes, it does feel good to hold. Between my public school French and Ms.
Smith's crazy handwriting I managed to turn it into a learning
experience.

But
the photographs… the PHOTOGRAPHS are the thing.  They are two hundred
fifty delicate black and white ones created with Polaroids by Patti
Smith.  She started out with a Land 100 in the 70s but later got a Land
250, of which there is a photo in the book. She went back to shooting
Polaroid after the death of her husband Fred Sonic Smith.

In
her introduction she writes that, "The experience of taking Polaroids
connects me with the moment.  They are souvenirs of a joyful solitude."

I felt it.  Time doesn't exist in these pictures. Fred waves back as he pauses before a door. 

Bye, Fred.

Most of these images come from Paris, where used to live in 1969French culture was always an influence in Patti: Rimbaud, Genet, Artaud and Baudelaire.  Brancussi,  Houdin, and Maupassant. Man Ray.  Man Ray.

In 69 Patti was sitting on the curb in Montparnasse writing in her notebook about Picasso.  She looked and saw a plaque.  The photograph is of a studio where Picasso worked.

There are the obligatory Robert Mapplethorpe photos: his hands and the tambourine he made for her, seen of the front of "Twelve." 
I understand that Patti and he had a bizarre chemistry.  He just gives me the
willies.  It's not his work.  I'm good with that.  But the guy starved
a monkey to death in his apartment.

Several are shot in Montparnasse cemetery where one is surrounded by poets, philospher, writers, and artists.   They're all dead.  But they're all there.

There
is one photo of Susan Sontag's grave on the morning after her funeral. 
Patti went back to the graveside to take photos because Annie was too
stricken to return.  She said the flowers looked fresh.

There's nothing stiller than a tombstone, but Jackson Pollock's monolith is still– palpably, creepily still.

Her son, Jackson, has a tattoo of his father on his shoulder. 

For
animal lovers I have included a passage and a photograph about a goat
she encountered on a beach in Senegal.  The donkey, of asse, is from
Namibia.  That's for me.  So is the monkey painting.

You'll
recognize that painting of Leonardo's of those guys at that table.

But
I bet that you didn't know that Virginia Woolf watched her mother die
in a mirror, because she couldn't bear to watch her straight-on.  That
pitted mirror is in there.

The Lenny Kaye portrait gave me a lump in my throat.  It wasn't anything special, just a guy in a chair.  But it is so warm.  And strangely spiritual.

In conclusion:  You should go to your library (type in your zipcode & Worldcat finds it) or independent bookstore and pick up a copy of Land 250.  Literally pick it up.  Remember, I said it feels good.  I also recommend the slide show at Lens Culture.  They also have text from the book.  It is a nice site.

 

april is the cruelest month etc. what remains?
brian jones bones, jim morrisons friend jimi hendrix
bandana. sweatband angel

from Patti's poem "picasso laughing"

4 Comments (+add yours?)

  1. crankypants
    Dec 02, 2008 @ 19:03:52

    [this is good] you always teach me something here.  thanks!

    Reply

  2. LBeeeze
    Dec 02, 2008 @ 19:57:07

    That was a wonderful learning experience, and so very well written too !!

    Reply

  3. Sixbucksamonkey
    Dec 03, 2008 @ 07:13:08

    Thanks, ladies!  I’d hate for that college edumacashun to go to waste!  =D

    Reply

  4. crankypants
    Dec 03, 2008 @ 07:18:41

    Well, I didn’t get a college ejamucashun so I come over here to scam some of yours every so often.
    (not to mention the music edjumacashun)

    Reply

Leave a comment