Too good to miss

If you aren't too offended by the f-word and the n-word you should definitely listen to this new Cee-lo.

FUCK YOU – Cee-Lo

And, it's a sing-along.  So there's that.

And, while you're at it you may like this:

"I Am Trying To Break Your Heart" [Wilco] by JC Brooks & the Uptown Sound – VIDEO

I hope it’s not too late.

I'm not one for resolutions but this song is so very strong I couldn't resist.  Otis Redding and Carla Thomas perform a soulful duet on "New Year's Resolution:"

New Year's Resolution

Otis Redding & Carla Thomas

Otis:
I hope it's not too late
Just to say that I'm sorry, honey.
All I want to do
Is just finish what we started, baby.

Otis & Carla:
Let's turn over a new leaf.
And baby let's make promises
That we can keep.
And call it a new year's resolution, hmmm.

Carla:
Oh, I'm a woman
And woman makes mistakes, too.
But will you, will you forget the changes
That I put you through?

Otis & Carla:

Oh, let's try it again
Just you and me.
And, baby, let's see how happy honey, yeah,
That we can be.
And call it a new year's resolution, yeah, yeah, yeah.

Otis:
Many times we had our ups and downs.

Carla:
And times you needed me I couldn't be found.

Otis:
I'm sorry.

Carla:
And I'm sorry too.

Otis:
I'll never, never do it again, no, no, no.
So baby before we fall out
Let's fall on in, yeah, yeah.

Carla:
Oh, and we're gonna try harder
Not to hurt each other again, oh.

Otis & Carla:
Love me baby, huh,
Week after week.
And baby let's make promises
That we can keep.
And call it a new year's resolution, yeah, oh.

Otis:
I know we can do it, Carla.

Carla:
I'm gonna keep my promises.

Otis:
I'm gonna hold on that we can do it, baby.

Carla:
Oh, it's not too late.

Otis :
You're gonna love me
Nobody else.

Carla:
Oh, Otis, let's finish what we started…

 

From the discard bin: Black Music

Billy Frickin' Preston

Black Music , Gavin Petrie Editor and Designer (New York: Hamlyn, 1974) came out of the discard bin last week.  Confident from my new-found ventriloquism skills and cheered on by Paul's suggestion that I make this a feature I went looking for more trashed treasures.  And how could I NOT grab a
book with Billy Preston on the front?  Sorry I forgot to scan the front before I released it back into the wild, but I did get the awesome one to the right.

Tighten Up

Archie Bell & The Drells

In a world of top 5 lists it is
refreshing that Gavin Petrie comes up with his top 21 black artists of
the day (1974).  As I flipped through the pages, most of the artists
made sense. There were a few– three to be exact– that I had to read
up on. Can you guess which three?

Here's the list:

1. James Brown
2. Ray Charles
3. Staple Singers
4. O'Jays
5. 3 Degrees
6. Chi Lites
7. Thom
   Bell
8. Bill Withers
9. Pointer Sisters
10. Barry White
11. Maytals
12. John Holt
13. Isley Brothers
14. Harold Melvin
15. Smokey Robinson
16. Stylistics
    

    O'Jays in hoodies
17. War
18. Al Green
19. Bobby Bland
20. Dandy Livingstone
21. Billy Preston

Living A Little, Laughing A Little

The Spinners

Here are the ones I had to look up:
 7, 12, and 20.

I'm Stone in Love With you

Stylistics

And here's what I learned.

Didn't I (Blow Your Mind This Time)

The Delfonics

I'm a little ashamed that I did not recognize Thom Bell's name.  He was a producer and arranger of the Philadelpia Soul Sound. He worked on countless Philly soul hits (with The Delfonics, The Stylistics, and The Spinners ) and wrote a few songs you'll recognize:  "I'm Stone in Love With You," "La La Means I Love You," "Living a Little, Laughing a Little,"
"Rubber Band Man," and so on.  Parenthetically, I did not realize that
there is a direct connection between the sound of Philadelphia and
strings and horns of smooth jazz.  I really need to read that book House on Fire and catch up on my Gamble/Huff/Philly knowledge. Yeah, Archie Bell says that they're from Houston but the song was produced and recorded in Philadelphia. Like that's not confusing enough.

Glamor-Shot Barry White

The Tide Is High

The Paragons

John Holt is "The Barry White of reggae," according to Petrie at least.  (And we ALL know how cool Barry White is.  He has all the smoothest pix in Black Music.)  Early in Holt's career he worked with The Paragons. I've got "The Tide is High" from 1967 and a couple of later things.

Dandy Livingstone came to England from Kingston, Jamaica in 1959. He had hits with  "Reggae in Your Jeggae," "I'm Your Puppet," and "Rudy A Message To You."
I am excitedly on the lookout for two of his songs: "Move Your Mule"
(1968, Down Town) and "Donkey Returns" (1968, Trojan, as Dandy & Brother Dan All Stars).  Dandy appears to be my kind of guy!

Smokin' Barry White

Well, that's what we scrounged out of the discard bin this week.  Black
Music by Gavin Petrie.  It was a pretty dull and flimsy book on what
should be a pretty juicy bit of music history.  But as usual, I learned
something.  Books don't have to be good to teach you something.  Go
figure.

Isley Bros in all their sartorial splendor